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“Transmission: Hospitality aims to address the relation between the various modes of analysis and communication that seek to comprehend art. This conference will be set in a transdisciplinary and transcultural context where dialogues between artists, writers, critics, curators, and academics will be welcomed as a method for generating, mediating, and reflecting experience and knowledge about the way art is received.”<\/p>\n\n\n\n

Transmission: Hospitality took place in July 2010 at Sheffield Hallam University, UK. To purchase the publication TRANSMISSION ANNUAL: HOSPITALITY Ed. Michael Corris, Jaspar Joseph-Lester, Sharon Kivland, Artwords Press 2010, please visit the Artwords Bookshop.<\/a><\/p>\n\n\n\n

Conference downloads
Full programme<\/a>
Speaker biographies<\/a>
Keynote speakers’ abstracts<\/a>
Dialogue sessions programme<\/a>
Dialogue panel speakers abstracts<\/a><\/p>\n\n\n\n

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Review<\/div>

Reviewed by: Alison Andrews \u00bb<\/a>
This review was first published on Interface July 2010 http:\/\/www.a-n.co.uk\/interface<\/a>
Transmission:Hospitality Sheffield Hallam University<\/p>\n\n\n\n

I was invited to a great party .. and I didn\u2019t even bring a bottle. Transmission: Hospitality was hosted by the Arts and Design Research centre, Sheffield Hallam University 1-3 July 2010. This interdisciplinary conference was an invitation to interrogate the codes and duties implied in the relationship of host and guest. Convened by Dr Jaspar Joseph-Lester and Dr Sharon Kivland, Transmission is an ongoing project conducted in the mode of hospitality. In association with Site Gallery, staff from the department of Fine Art invite a friend as speaker and interlocutor in a series of enquiries into art practice. The conference in July launched Transmission:Annual, a new journal reflecting the proceedings of the project. Themes of mutuality and reversal in relations were explored over three days of presentation and discussion which acknowledged the ironies, contradictions and progressive potential of the host\/guest paradigm.<\/p>\n\n\n\n

These early July days in Sheffield were warm, really warm. We were sheltered from the heat in the air conditioned environs of the conference venue, and as a delegate at a conference, ever the guest, and a stranger in town, one is sheltered too from the preparations and from the details of the wider context in which the conference takes place. Yet the theme of Transmission:Hospitality was immediately animated as the stranger\/traveller\/delegate (me) arrived, welcomed to the city by the sight and sound of running water in Sheaf Square. This is a new public space situated outside Sheffield Station. The area was previously used as a car park and was surrounded by a major road network \u2013 an unwelcoming vista. Sheffield design team, Si Applied and international glass artist Keiko Mukaide collaborated in the development of the Cutting Edge Sculpture, which combines the city\u2019s famous material \u2013 steel \u2013 with water and light and makes a definite statement of civic pride offered as a gift from the City to the visitor. Largely well received, the controversies over the development of the area overall are easily tracked on blogs, and address ongoing issues surrounding public art and the host\/guest relationship with which Transmission:Hospitality engaged. Keynote speakers, at once guests and hosts, invited us to their investigative parties. Michael Clegg\u2019s work with Martin Guttmann is often hosted in public spaces, commemorating the past and challenging the future. Through the process of negotiating the installation of the work, a range of questions are raised: Whose voice is being heard through a public artwork? Who is \u2018programming\u2019 the space, when the stage is open to the public? What is it proper to represent? And who is being \u2018quoted\u2019 in the act of creating a memorial. It is after all, very impolite to misrepresent your guest.<\/p>\n\n\n\n

In 1795, Immanuel Kant published an essay entitled \u2018Toward Perpetual Peace: A Philosophical Sketch\u2019 \u2013 the context was the signing of the Treaty of Basel by Prussia and revolutionary France, which Kant condemned as only the suspension of hostilities, not a prescription for Peace. Kant denounced \u2018the inhospitable conduct of the civilised states of our continent, especially the commercial states and the injustice which they display in visiting foreign countries and peoples\u2019. He rejected European imperialism as a violation of the right of a stranger not to be treated with hostility on strange shores. Such treatment breaks the laws of hospitality, which apply to both host and guest. Dany Nobus explored these laws as prescribed in Klossowski\u2019s Roberte ce Soir \u2013 the best host is the one who gives away the most, even that which defines him as Master of the House. Blake Stimson placed hospitality against fundamentalism, as a process requiring engaging deep and openly with another\u2019s world \u2013 towards learning and turning a critical gaze upon ourselves \u2013 treating the object as a guest.<\/p>\n\n\n\n

We are even guests in our own timeline, Ahuvia Kahane suggested, if we understand the present as our home, yet we must \u2018host\u2019 the past in the present as the moment moves immediately into history. Esther Leslie charted the friendship between Bertolt Brecht and Walter Benjamin as a space in which they developed their methods and philosophies. Compare this to Facebook \u2018friendships\u2019 and instantly effected changes to one\u2019s \u2018status\u2019. The host\/guest relationship requires an investment of time, which Esther suggested is occluding space in on-line environments \u2013 \u2018space\u2019 for friendship is a product of hospitality. Juliet Flower MacCannell considered the falling stock of the stranger, once an honoured identity in a society geared for hospitality. The stranger brought new insights to the community, but now manifests as the character whose lethal freedom drives the narratives of films like \u2018The Hitcher\u2019 and \u2018Dead Calm\u2019. Yet, dispensing with distance brings us too much information \u2013 how much do we really want to know about Britney Spears? Estrangement and intimacy are the poles between which pornography \u2013 sex with a stranger \u2013 operates.<\/p>\n\n\n\n

Having just completed a site specific performance project at the invitation of a national institution, I attended the conference with the image of my host etched on my memory, with all the sharp edges which a challenging relationship forges. The inspiring key note presentations and compelling and provocative panel presentations on ongoing research have softened these edges and overlaid it with other, more complex propositions. One might expect that a conference with \u2018Hospitality\u2019 as its title would attend overtly to the guest\/host relationship, and as delegates we were handsomely and graciously entertained. The invitation also to consider our responsibilities to our hosts in such a creative context made the experience particularly rich. Whether or not it is better to give than to receive, I must remember to say \u2013\u201cthank you for having me\u201d.<\/p>\n\n\n\n

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Conference Location
The conference was hosted by Sheffield Hallam University right in the city centre. When you step out of Sheffield station you will be greeted by the ‘Cutting Edge’ (below), a dramatic public artwork by one of the university’s metalworkers, Chris Knight, guiding you up through the newly developed pedestrian route towards the university and the heart of the city.<\/p>\n\n\n\n

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The university is close to many of Sheffield’s landmark buildings, including the Winter Gardens, the Millennium Galleries, and Butcher Works as well as other art galleries, cafes, shops and restaurants.
The conference was held at Sheffield Hallam University’s Cantor Bbuilding, located in the heart of Sheffield’s Cultural Industries Quarter. The building is home to the Art and Design Research Centre (link broken)<\/strong> and the new Sheffield Institute of Arts Gallery (link broken)<\/strong> , and is a pleasant five minute walk from the train station.<\/p>\n\n\n\n

Sheffield Hallam University
Furnival Building, 153 Arundel St
Sheffield S1 2NU
United Kingdom<\/p>\n\n\n\n<\/div>\n\n\n\n

Conference Themes and Keynote speakers<\/div>
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Keynote speakers
Guests: Clegg and Guttmann<\/a> (Artists, Germany), Juliet Flower MacCannell<\/a> (Professor Emerita of Comparative Literature and English, UC Irvine) Ahuvia Kahane (link broken)<\/strong>(Professor of Greek, Royal Holloway, University of London), Esther Leslie<\/a> (Professor in Political Aesthetics, Birkbeck, University of London) Dany Nobus <\/a>(Professor, School of Social Sciences, Brunel, University West London), Blake Stimson (link broken)<\/strong>(Professor of Art History, University of California)<\/p>\n\n\n\n

Download keynote speakers’ abstracts<\/a><\/p>\n\n\n\n

Download keynote speakers’ biographies<\/a><\/p>\n\n\n\n

Transmission: Hospitality addressed the relation between the various modes of analysis and communication that seek to comprehend art. This conference will be set in a transdisciplinary and transcultural context where dialogues between artists, writers, critics, curators, and academics will be welcomed as a method for generating, mediating, and reflecting experience and knowledge about the way art is received.<\/p>\n\n\n\n

Conference themes
Hospitality speaks about art through a form that responds to how art is encountered, discussed and, perhaps most importantly, received. This theme will be explored over the three days of the conference through the topics of Host, Stranger, and Friend. Here we will consider the ethics of hospitality, of making the stranger welcome. A host has a standard of conduct, and historically, hospitality has been seen as a code, a duty, a virtue, and a law. There is a bond between host and guest, and indeed, it is one that may exceed the bond of family, whom one may be called to give up in place of the guest, as the guest must take precedence. Hospitality derives from hospes, formed from hostis, a stranger. Stranger joins with polis. There is a duty of care. Rather than a fetishisation of the social encounter or the reduction of conversation to an aesthetic genre, this international conference takes up discussions on hospitality, incorporating both the stranger and the friend. Here we will ask how art can inform the politics, ethics and cultural meaning that lies at the heart of the host guest relation.<\/p>\n\n\n\n

Papers and proposal for panels of three speakers on any aspect of the conference theme were invited and peer reviewed by an international panel of academics and artists. Topics for panels at the conference included:
Host: art and responsibility, art and ethics, art and psychoanalysis, cultures of curating
Stranger: art and the foreigner (or odd, eccentric and uncanny), art and philosophy, multidisciplinary practice
Friend: art and dialogue, art and community, art and politics, collaborative practice<\/p>\n\n\n\n

The conference was developed in association with Meadows School of the Arts<\/a>, Southern Methodist University (Dallas, USA) and will include the launch of the new journal Transmission Annual (Artwords) and exhibition opening of Transmission: Interrupted in the SIA Gallery.<\/p>\n\n\n\n

To purchase the publication TRANSMISSION ANNUAL: HOSPITALITY Ed. Michael Corris, Jaspar Joseph-Lester, Sharon Kivland, Artwords Press 2010, please visit the Artwords Bookshop<\/a>.<\/p>\n\n\n\n<\/div>\n\n\n\n

Proceedings<\/a><\/p>\n\n\n\n

Visit us on<\/p>\n\n\n\n

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