{"id":309,"date":"2021-03-16T10:11:03","date_gmt":"2021-03-16T10:11:03","guid":{"rendered":"https:\/\/transmission-test.shu.ac.uk\/?page_id=309"},"modified":"2021-05-13T15:37:57","modified_gmt":"2021-05-13T14:37:57","slug":"2010-conference-proceedings-2","status":"publish","type":"page","link":"https:\/\/transmission.shu.ac.uk\/index.php\/2010-conference-proceedings-2\/","title":{"rendered":"2010 Conference Proceedings A-Z"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"94\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-21.png\" alt=\"\" class=\"wp-image-310\" srcset=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-21.png 740w, https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-21-300x38.png 300w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/figure>\n\n\n\n<p>Full Papers: A-Z by Author<br>Below are the full papers from the dialogue panels, listed alphabetically by author. You may also browse by <a href=\"https:\/\/transmission.shu.ac.uk\/index.php\/2010-conference-proceedings\/\" target=\"_blank\" rel=\"noreferrer noopener\">dialogue panels here<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-22.png\" alt=\"\" class=\"wp-image-311\"\/><\/figure>\n\n\n\n<p>Michelle Atherton &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/ATHERTON-Michelle.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Experiential Call<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-23.png\" alt=\"\" class=\"wp-image-313\"\/><\/figure>\n\n\n\n<p>Simon Bacon &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BACON-Simon.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Hello Stranger!?: The Vampiric Re-Finding of the Projected Self in Let the Right One In by Tomas Alfreds<\/a><\/p>\n\n\n\n<p>Christopher Bamford &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BAMFORD-Kiff.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Other as Host: Gina Pane\u2019s \u2018Je\u2019<\/a><\/p>\n\n\n\n<p>Guy Becket &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BECKETT-Guy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Facing Terrors<\/a><\/p>\n\n\n\n<p>Nicky Bird &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BIRD-Nicky.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Artist as Listening Post<\/a><\/p>\n\n\n\n<p>Marsha Bradfield &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BRADFIELD-Marsha.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">From \u2018Public\u2019 to \u2018Publics\u2019? Or: How I learned to stop worrying about heterogeneity and love \u2018my\u2019 public<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-24.png\" alt=\"\" class=\"wp-image-314\"\/><\/figure>\n\n\n\n<p>Alison J Carr &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/CARR-Alison.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">My friend, the Showgirl<\/a><\/p>\n\n\n\n<p>Chiara Catterwell &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/CATTERWELL-Chiara.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Conservator, Curator, Visitor: the fine line between aesthetics and deceit<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-25.png\" alt=\"\" class=\"wp-image-315\"\/><\/figure>\n\n\n\n<p>Kathy Doherty and Daragh O\u2019Reilly &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/DOHERTY-Kathy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Rocking the Museum: New Model Army as Host-in-Residence<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-26.png\" alt=\"\" class=\"wp-image-316\"\/><\/figure>\n\n\n\n<p>Paul Evans &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/EVANS-Paul.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Perfect Dinner Party<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-27.png\" alt=\"\" class=\"wp-image-317\"\/><\/figure>\n\n\n\n<p>Yuen Fong Ling &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/FONG-LING-Yuen.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">A Body of Relations: Reconfiguring the Life Class<\/a><\/p>\n\n\n\n<p>Annabel Frearson &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/FREARSON-Annabel.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Neither the sun nor death can be gazed upon fixedly<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-28.png\" alt=\"\" class=\"wp-image-318\"\/><\/figure>\n\n\n\n<p>Rachel Garfield &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/GARFIELD-Rachel.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">You\u2019re Joking and Deep England: Strangers at Home<\/a><\/p>\n\n\n\n<p>Karen Gaskill &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/GASKILL-Karen.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Inhospitable Frame<\/a><\/p>\n\n\n\n<p>Laura Gonzalez &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/GONZALEZ-Laura.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Stranger, Seducer<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-29.png\" alt=\"\" class=\"wp-image-319\"\/><\/figure>\n\n\n\n<p>Maria Hanson &#8211; Friend: <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/HANSON-Maria.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The intimate experience of owning \/ commissioning a craft object<\/a><\/p>\n\n\n\n<p>Jerome Harrington &#8211;<a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/HARRINGTON-Jerome.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"> Host: the object as host<\/a><\/p>\n\n\n\n<p>Robin Hawes &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/HAWES-Robin.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Creativity and Consciousness: The ontological foundations of art<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-30.png\" alt=\"\" class=\"wp-image-320\"\/><\/figure>\n\n\n\n<p>Yuen Fong Ling &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/FONG-LING-Yuen.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">A Body of Relations: Reconfiguring the Life Class<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-31.png\" alt=\"\" class=\"wp-image-321\"\/><\/figure>\n\n\n\n<p>Penny McCarthy and Terry O\u2019Connor &#8211;<a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/McCARTHY-Penny.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"> Stealing Voices<\/a><\/p>\n\n\n\n<p>Paula McCloskey &#8211;<a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/McCLOSKEY-Paula.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"> Maternal Subjectivity and Art Encounters<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-32.png\" alt=\"\" class=\"wp-image-322\"\/><\/figure>\n\n\n\n<p>Bran Nicol &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/McCARTHY-Penny.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Stalking Artists<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-33.png\" alt=\"\" class=\"wp-image-323\"\/><\/figure>\n\n\n\n<p>Kathy Doherty and Daragh O\u2019Reilly &#8211;<a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/DOHERTY-Kathy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"> Rocking the Museum: New Model Army as Host-in-Residence<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-34.png\" alt=\"\" class=\"wp-image-324\"\/><\/figure>\n\n\n\n<p>Jeremy Pilcher &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/PILCHER-Jeremy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The (Ir)responsibility of Parasitic Art<\/a><\/p>\n\n\n\n<p>Matthew Poole &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/POOLE-Matthew.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Violence of Loyalty and Justice<\/a><\/p>\n\n\n\n<p>Jessica Potter &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/POTTER-Jessica.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Can the image constitute a common space between you and me?<\/a> plus audio file &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/Potter_Man-_Walkin_-Away.mp3\" target=\"_blank\" rel=\"noreferrer noopener\">Man Walkin Away .mp3 file<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-35.png\" alt=\"\" class=\"wp-image-325\"\/><\/figure>\n\n\n\n<p>Lucy Reynolds &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/REYNOLDS-Lucy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Hospitality Underground: Filmic documents of an oppositional Practice<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-37.png\" alt=\"\" class=\"wp-image-327\"\/><\/figure>\n\n\n\n<p>Becky Shaw &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/SHAW-Becky.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Stranger: The object that won\u2019t talk<\/a><\/p>\n\n\n\n<p>Andrew Sneddon &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/SNEDDON-Andrew.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Two naked bearded men and an open fire<\/a><\/p>\n\n\n\n<p>Francis Summers &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/SUMMERS-Francis.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">(Re)counting Love: Martin Arnold\u2019s Pi\u00e8ce Touch\u00e9e<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"50\" height=\"30\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-38.png\" alt=\"\" class=\"wp-image-328\"\/><\/figure>\n\n\n\n<p>Julie Westerman &#8211; <a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/WESTERMAN-Julie.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exploring the work created as both Host and Guest<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Full Papers: A-Z by AuthorBelow are the full papers from the dialogue panels, listed alphabetically by author. You may also browse by dialogue panels here. Michelle Atherton &#8211; The Experiential Call Simon Bacon &#8211; Hello Stranger!?: The Vampiric Re-Finding of the Projected Self in Let the Right One In by Tomas Alfreds Christopher Bamford &#8211; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-309","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/pages\/309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/comments?post=309"}],"version-history":[{"count":6,"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/pages\/309\/revisions"}],"predecessor-version":[{"id":398,"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/pages\/309\/revisions\/398"}],"wp:attachment":[{"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/media?parent=309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}