{"id":276,"date":"2021-03-16T10:05:50","date_gmt":"2021-03-16T10:05:50","guid":{"rendered":"https:\/\/transmission-test.shu.ac.uk\/?page_id=276"},"modified":"2021-05-13T15:38:41","modified_gmt":"2021-05-13T14:38:41","slug":"2010-conference-proceedings","status":"publish","type":"page","link":"https:\/\/transmission.shu.ac.uk\/index.php\/2010-conference-proceedings\/","title":{"rendered":"2010 Conference Proceedings"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"94\" src=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-39.png\" alt=\"\" class=\"wp-image-330\" srcset=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-39.png 740w, https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/image-39-300x38.png 300w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/figure>\n\n\n\n<p>Dialogue sessions explored themes of art and responsibility, art and ethics, art and psychoanalysis, cultures of curating, hospitality and film, art and the foreigner (or the odd, eccentric and uncanny), art and philosophy, multidisciplinary practice, art and dialogue, art and community, art and politics, collaborative practice.<\/p>\n\n\n\n<p>Full papers from the dialogue sessions may be downloaded by following the links in the panel listing below, or browsing the <a href=\"https:\/\/transmission.shu.ac.uk\/index.php\/2010-conference-proceedings-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">alphabetical list of authors<\/a>.<\/p>\n\n\n\n<p>Full papers: by Dialogue Panel<\/p>\n\n\n\n<div class=\"collapseomatic \" id=\"id6a756956a3cec\"  tabindex=\"0\" title=\"Friday 2 July 2010\"    >Friday 2 July 2010<\/div><div id=\"target-id6a756956a3cec\" class=\"collapseomatic_content \"><br>2.00\u20133.30pm<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Dialogue 1A<br>Hosting Experience<br>(Chair: David Cotterrell)<\/td><td>Dialogue 1B<br>Friends and Strangers on Film<br>(Chair: Lucy Reynolds)<\/td><td>Dialogue 1C<br>Hosting Thought<br>(Chair: Esther Leslie)<\/td><\/tr><tr><td>Paula McCloskey<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/McCLOSKEY-Paula.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Maternal Subjectivity and Art Encounters<\/a><\/td><td>Rachel Garfield<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/GARFIELD-Rachel.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">You\u2019re Joking and Deep England: Strangers at Home<\/a><\/td><td>Amanda Beech<br>Cause without reason: Future realisms of the image<\/td><\/tr><tr><td>Michelle Atherton<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/ATHERTON-Michelle.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Experiential Call<\/a><\/td><td>Andrew Sneddon<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/SNEDDON-Andrew.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Two naked bearded men and an open fire<\/a><\/td><td><\/td><\/tr><tr><td>Lisa Murphy<br>Private Light in Open Spaces<\/td><td>Julie Westerman<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/WESTERMAN-Julie.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Exploring the work created as both Host and Guest<\/a><\/td><td>Paul Evans<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/EVANS-Paul.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Perfect Dinner Party<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>3.45\u20135.15pm<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Dialogue 2A<br>Encountering Art<br>(Chair: Juliet Flower MacCannell)<\/td><td>Dialogue 2B<br>Hospitality and Ethics 1<br>(Chair: Peter Jones)<\/td><td>Dialogue 2C<br>The Hospitality of Public Space (Chair: Kathy Doherty)<\/td><\/tr><tr><td>Miguel Santos<br>Waking up the stranger within<\/td><td>Matthew Poole<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/POOLE-Matthew.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Violence of Loyalty and Justice<\/a><\/td><td>Marsha Bradfield<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BRADFIELD-Marsha.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">From \u2018Public\u2019 to \u2018Publics\u2019? Or: How I learned to stop worrying about heterogeneity and love \u2018my\u2019 public<\/a><\/td><\/tr><tr><td>Jessica Potter<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/POTTER-Jessica.pdf\">Can the image constitute a common space between you and me?<\/a><br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/Potter_Man-_Walkin_-Away.mp3\" target=\"_blank\" rel=\"noreferrer noopener\">Man Walkin Away .mp3 file<\/a><\/td><td>Simon Bacon<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BACON-Simon.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Hello Stranger!?: The Vampiric Re-Finding of the Projected Self in Let the Right One In by Tomas Alfreds<\/a><\/td><td>Rebecca Gamble<br>The Artist as Host: convivial acts in participatory art practice<\/td><\/tr><tr><td>Yuen Fong Ling<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/FONG-LING-Yuen.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">A Body of Relations: Reconfiguring the Life Class<\/a><\/td><td>Guy Becket<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BECKETT-Guy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Facing Terrors<\/a><\/td><td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>5.30-7.00pm<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Dialogue 3A<br>The Museum: Stranger or Friend?<br>(Chair: Blake Stimson)<\/td><td>Dialogue 3B<br>Hospitality and Ethics 2<br>(Chair: Peter Jones)<\/td><\/tr><tr><td>Chiara Catterwell<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/CATTERWELL-Chiara.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Conservator, Curator, Visitor: the fine line between aesthetics and deceit<\/a><\/td><td>Francis Summers<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/SUMMERS-Francis.pdf\">(Re)counting Love: Martin Arnold\u2019s Pi\u00e8ce Touch\u00e9e<\/a><\/td><\/tr><tr><td>Kathy Doherty and Daragh O\u2019Reilly<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/DOHERTY-Kathy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Rocking the Museum: New Model Army as Host-in-Residence<\/a><\/td><td>Rose Butler, Lynne Marsh, Karen Gaskill<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/GASKILL-Karen.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Inhospitable Frame<\/a><\/td><\/tr><tr><td><\/td><td>Lucy Reynolds<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/REYNOLDS-Lucy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Hospitality Underground: Filmic documents of an oppositional Practice<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<\/div>\n\n\n\n<div class=\"collapseomatic \" id=\"id6a756956a3d46\"  tabindex=\"0\" title=\"Saturday 3 July 2010\"    >Saturday 3 July 2010<\/div><div id=\"target-id6a756956a3d46\" class=\"collapseomatic_content \">\n\n\n\n<p>9.30\u201311.00<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Dialogue 4A<br>Art and the Stranger:<br>Seducing, Listening, Stalking<br>(Chair: Dany Nobus)<\/td><td>Dialogue 4B<br>The Return of the Stranger<br>(Chair: Rachel Garfield)<\/td><\/tr><tr><td>Nicky Bird<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BIRD-Nicky.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Artist as Listening Post<\/a><\/td><td>Alison J Carr<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/CARR-Alison.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">My friend, the Showgirl<\/a><\/td><\/tr><tr><td>Laura Gonzalez<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/GONZALEZ-Laura.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Stranger, Seducer<\/a><\/td><td>Christopher Bamford<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/BAMFORD-Kiff.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Other as Host: Gina Pane\u2019s \u2018Je\u2019<\/a><\/td><\/tr><tr><td>Bran Nicol<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/NICHOL-Bran.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Stalking Artists<\/a><\/td><td>Penny McCarthy and Terry O\u2019Connor<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/McCARTHY-Penny.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Stealing Voices<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>11.30am\u20131.00pm<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Dialogue 5A<br>The Interface as Host<br>(Chair: Ahuvia Kahane))<\/td><td>Dialogue 5B<br>Elongated Intimacy: Three case studies of Art and Craft Practice<br>(Chair: Penny McCarthy)<\/td><\/tr><tr><td>Annabel Frearson<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/FREARSON-Annabel.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Neither the sun nor death can be gazed upon fixedly<\/a><\/td><td>Maria Hanson<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/HANSON-Maria.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Friend: The intimate experience of owning \/ commissioning a craft object<\/a><\/td><\/tr><tr><td>Robin Hawes<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/HAWES-Robin.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Creativity and Consciousness: The ontological foundations of art<\/a><\/td><td>Jerome Harrington<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/HARRINGTON-Jerome.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Host: the object as host<\/a><\/td><\/tr><tr><td>Jeremy Pilcher<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/PILCHER-Jeremy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The (Ir)responsibility of Parasitic Art<\/a><\/td><td>Becky Shaw<br><a href=\"https:\/\/transmission.shu.ac.uk\/wp-content\/uploads\/2021\/03\/SHAW-Becky.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Stranger: The object that won\u2019t talk<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dialogue sessions explored themes of art and responsibility, art and ethics, art and psychoanalysis, cultures of curating, hospitality and film, art and the foreigner (or the odd, eccentric and uncanny), art and philosophy, multidisciplinary practice, art and dialogue, art and community, art and politics, collaborative practice. Full papers from the dialogue sessions may be downloaded [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-276","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/pages\/276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"replies":[{"embeddable":true,"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/comments?post=276"}],"version-history":[{"count":4,"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/pages\/276\/revisions"}],"predecessor-version":[{"id":399,"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/pages\/276\/revisions\/399"}],"wp:attachment":[{"href":"https:\/\/transmission.shu.ac.uk\/index.php\/wp-json\/wp\/v2\/media?parent=276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}